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KEY TERMS



irony
metaphor
symbol
archetype
allegory
obj. correlative
iceberg principle
dissociation
individuation
puritan
pastoral
transcendental


   



  Eastman, Max
  Eberhart, Richard, “Emily Dickinson” (c.1930)
  Eberhart, Richard, “The Groundhog” (c.1960): analysis by 2 critics
  Eberhart, Richard, “Worldly Failure” (1960): on Robert Frost
  Eberhart, Richard, “To William Carlos Williams” (1988)
  Edwards, Jonathan
  Eliot, T. S., Murder in the Cathedral (1935): analysis by 5 critics
  Eliot, T.S., The Family Reunion (1939): analysis by 3 critics
  Eliot, T.S., The Cocktail Party (1949): analysis by 5 critics
  Eliot, T. S., “The Love Song of J. Alfred Prufrock” (1915): analysis by 15 critics
  Eliot, T.S., “Portrait of a Lady” (1917): analysis by 3 critics
  Eliot, T.S., “Sweeney Among the Nightingales” (1918): analysis by 2 critics
  Eliot, T.S., “Gerontion” (1920): analysis by 6 critics
  Eliot, T.S., “The Waste Land” (1922): analysis by 25 critics
  Eliot, T.S., 12 basic principles in reading “The Waste Land”
  Eliot, T.S., “The Hollow Men” (1925): analysis by 6 critics
  Eliot, T.S., “Ash Wednesday” (1930): analysis by 3 critics
  Eliot, T.S., Four Quartets (1943): analysis by 9 critics
  Eliot, T. S.
  Ellison, Ralph, Invisible Man (1952): analysis by chapter
  Ellison, Ralph, Invisible Man: review by Saul Bellow
  Ellison, Ralph, 40 critics discuss Invisible Man
  Ellison, Ralph
  Embry, Mead (pseudonym), “Me Studies” (2013): satire of narcissistic PC professors
  Emerson, Ralph Waldo, “Concord Hymn” (1837,1847)
  Emerson, Ralph Waldo, “Brahma” (1856): analysis
  Emerson, Ralph Waldo
  Erdrich, Louise, Love Medicine (1984,1993): analysis by 5 critics
  Erdrich, Louise, The Beet Queen (1986): analysis by 2 critics
  Erdrich, Louise, Tracks (1988): analysis by 4 critics
  Erdrich, Louise, summaries of 8 novels by Erdrich: commentary