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INDEXES:



  wit & humor
  quotations
  reviews
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          novels
          stories
          poems
          plays
          films
  General Index




KEY TERMS



irony
metaphor
symbol
archetype
allegory
obj. correlative
iceberg principle
dissociation
individuation
puritan
pastoral
transcendental


   



  Oates, Joyce Carol, Black Water (1992): analysis
  Wise Blood (1952) by Flannery O’Connor, adapted by John Huston (1979)
  OConnor, Flannery "The Peacock Roosts" (1953): self-portrait with commentary
  OConnor, Flannery Driskell To Flannery OConnor
       The Violent Bear It Away (1960) analysis by 14 critics
       The Violent Bear It Away (1960) Analysis in detail
       The Violent Bear It Away (1960) Commentary
       Wise Blood analysis by 36 critics
       Wise Blood (1952) COMMENTARY
  Odets, Clifford, Waiting for Lefty (1934): analysis by 4 critics
  Troll Hunter (2010), by Andre Ovredal (Norwegian)
  O'Brien, Tim, Going after Cacciato (1979): analysis by 2 critics
  O'Brien, Tim, The Things They Carried (1990): analysis
  O'Brien, Tim, “Landing Zone Bravo” (1979): analysis
  O’Connor, Flannery, “Revelation” (1964), text: humor
  O'Connor, Flannery, Wise Blood (1952): analysis by chapter
  O'Connor, Flannery, 14 critics discuss Wise Blood
  O'Connor, Flannery, Wise Blood film adaptation (1979): analysis
  O'Connor, Flannery, The Violent Bear It Away (1960): analysis by 8 critics
  O'Connor, Flannery
  O'Connor, Flannery, “A Good Man is Hard to Find” (1955): analysis by 7 critics
  O'Connor, Flannery, “The Displaced Person” (1955): analysis by 7 critics
  O'Connor, Flannery, “Revelation” (1955), text: humor
  O'Connor, Flannery, “Revelation”: analysis by 7 critics
  O'Connor, Flannery, “The Artificial Nigger” (1955): analysis by 5 critics
  O'Connor, Flannery, “Greenleaf” (1956): analysis
  O'Connor, Flannery, “Everything That Rises Must Converge” (1961): analysis by 5 critics
  O'Connor, Flannery, “The Lame Shall Enter First” (1962): analysis by 5 critics
  O'Connor, Flannery, “Parker's Back” (1964): analysis by 5 critics
  O'Connor, Flannery, “Judgement Day” (1964): analysis by 4 critics
  O'Hara, John, “Over the River and through the Wood” (1934): analysis
  O'Neill, Eugene, Beyond the Horizon (1920): analysis by 2 critics
  O'Neill, Eugene, The Emperor Jones (1920): analysis by 4 critics
  O'Neill, Eugene, Anna Christie (1921): analysis by 4 critics
  O'Neill, Eugene, The Hairy Ape (1922): analysis by 3 critics
  O'Neill, Eugene, Desire Under the Elms (1924): analysis by 8 critics
  O'Neill, Eugene, The Great God Brown (1926): analysis by 4 critics
  O'Neill, Eugene, Lazarus Laughed (1927): analysis by 3 critics
  O'Neill, Eugene, Strange Interlude (1928): analysis by 5 critics
  O'Neill, Eugene, Mourning Becomes Electra (1931): analysis by 5 critics
  O'Neill, Eugene, Long Day's Journey into Night (1956): analysis by 5 critics
  O'Neill, Eugene, The Iceman Cometh (1946): analysis by 3 critics
  O'Neill, Eugene